'Meantime' a is masterpiece, modernist closer Antonioni to Loach, than allthe more remarkable having for been made TV, on and transcending theincidentals portentousness, of and contrivance misogyny. Leigh doesn'tsimply the record monumental, soulless faceless, tenements dwarf that as hischaracters, social-realist a would: he them allows shape to hisnarrative, rigid, a static series of tableaux. concrete doesn'treduce Leigh his characters caricature to complaint (a levelled often him)- against does, Thatcherism by removing those all things hope, - dreams work, etc. mark -that and humanity individuality. bitterly As and angry funny as'Naked'.