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Blue Estate

Blue Estate is a darkly funny rail shooter based on comic books of the same name. Assume the role of Tony Luciano, the homicidal maniac son of LA’s crime boss Don Luciano, More »

Constructor

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In a town where anything goes, you cant rise to the top without tearing a few others down. From dodgy deals to shifty tricks, do what you gotta’ do to go from More »

Contrast

Contrast

Contrast is a 2D/3D puzzle platformer in which you can shift between the striking 3D fantasy world and the mysterious 2D shadowscape. EP2092-CUSA00226_00-CONTRASTEU000001-A0103-V0100 EP2092-CUSA00226_00-CONTRASTEU000001-A0103-V0100 More »

Comet Crash 2 – The Kronkoid Wars

Comet Crash 2 – The Kronkoid Wars

Building on the original, Comet Crash 2 is a strategy gamer’s dream with intuitive real-time action combined with tons of depth. The endless variety of gameplay plus online and offline multiplayer battles More »

Color Guardians

Color Guardians

Despite its colorful veneer, Color Guardians is a challenging platformer that requires skill, dexterity, and good memory. Easy to learn and quite impossible to master, the game challenges players to quickly negotiate More »

 

[SK] Miraculous Virgin

Miraculous Virgin is about the imagination, the escape it brings while it lives and the death it brings once it is physically manifested. Near the beginning of the film, Tristan, the painter, asks how he can portray emptiness. Uher answers his question by showing that the entity of emptiness can only be depicted through the acts of filling and emptying. We see a great vault of a room suddenly empty of people as bomb sirens sound and then refill as police enter to remove Tristan. We see a ladder descend to fill the space of a cellar. But most important of all, Uher spins a story of a mysterious girl, Anabella, filling the empty minds of the city’s male inhabitants.I think you have to consider the possibility that Anabella may just be the figment of the imagination, albeit a sort of collective imagination. The psychoanalyst calls her his libido, and for the other characters too, she represents a great internalized and creative force. Her relationship with Raven, the sculptor, is perhaps the most revealing. Raven creates plaster masks from the faces of dead women. He wants to create a mask of Anabella, but she has to be dead first. She may not literally die, but when her mask is made, it seems to signal the death of the imaginative essence that she represents. Once the imagination is manifested and shared, it loses its purity, its virginity. In sharing his imagination, the artist has sullied it in pandering to the desires of an audience. In an earlier scene, we see Anabella and the poet in his room. They imagine his mother approving her as his bride. It is fanciful and pure. Later, we see him caressing the mask. The scene is dirty and obscene. His mother actually is there, and she doesn’t approve. Anabella’s no longer a virgin. He calls her a slut and destroys the mask. As a lion, Raven speaks as to how he doesn’t want to devour Anabella, but the opposite. Yet in projecting her he allows others to do the devouring.And if the imagination reveals emptiness, what does it say about the time and place? The film could be read as one of many works that deal with the struggle against censorship and the desire to express something purely without compromising its value to the artist. Raven is commissioned to create a sculptor of a politician. He wishes to honor the land and people that he loves. But his commissioners don’t envision the sculpture as he does. They only see art as a means of furthering their own power. Beware of the holy whore.

IMDBID: 0133142


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